In his infinite experiments, Umberto Bellardi Ricci takes two simple geometries, the cube and the circle, and transforms them into the support – the throne – for the person who sits on it.
Thus, the generous shapes of the seat contrast with the static, minimalist leg, in a structure that highlights the fine contrast between raw materials and refined textures and fabrics.
The table that completes the family picks up the material contrast with a round marble top, supported by the same essential leg as the stools.
